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Introduction ¢ñ.The History of Asian American Theatre ¢ò. The Studies of Asian American Plays ¢ó.Theoretical Discussion of Idealization,Misrepresentationand Mystification Chapter One Idealization: The Inducement to Stereotypes I. The "ldealization" under Double Pressures in The Year of the Dragon i. The "Idealization" under Racial Discrimination ii. The ¡°Idealization" under Patriarchy iii. Fred's Resistance to the Imposed ¡°Idealization" ¢ò. The Positive Idealization in Velina Hasu Houston's Teai. The Mimicry of Being American-The Positive Idealization ii. Sacrifice for the Idealization iii. The Critical Mimicry-Tearing Up the Fake Idealization ¢ó. The Negative Idealization in Wakako Yamauchi's And the Soul Shall Dance i. Hana's Active Silence ii. Emiko's Passive Silence iii.Breaking the Silence Chapter Two Misrepresentation: The Obstacle of Search¨ªng for Identity ¢ñ. Creating a New ldentity through Misrepresentationin The Chickencoop Chinaman i. Father's Misrepresentationi ii. Ovaltine's Barefaced Lie iii. Tam's Searching for Cultural Identity ¢ò. The Circle of Misrepresentation in Yankee Dawg You Die i. The Misrepresentation of Vincent's Performing Self ii. Legitimating the Misrepresentation iii. The Awakening in Misrepresentation ¢ó. Searching for Cultural Identity under Misrepresentationin Dogeaters i. "Dogeaters": The Misrepresentation to Distort Filipino Identity ii. Misrepresenting Filipino Identity through "Manhood" iii. Searching for a New Cultural Identity Chapter Three Mystification: The Disguise of Racism I . The Artifice of Western Racism in China Doll i. Mystification: The Strategy of Racism ii. Searching for White Masks iii. Disclosing the Secret of Mystification ¢ò . The Manipulation of Mystification in M. Butterfly i. Song's Marked Body ii. Clothes; The Protection to Mystification iii. Gallimard's Insistence on His Fantasy Conclusion Works Cited Acknowledgements