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客舟听雨 内容简介
这是一本外国文学比较研究著作,作者挑选了二十世纪外国文学领域中,那些身处异国、异乡或异己环境中的作者及其创作进行述评,剖析了康拉德、海明威、贾布瓦拉、约翰·契弗等人的“客舟”经历对其创作的深刻影响,以及它们的文学价值和意义,由此引发有关“客舟他乡”的体验和变化,不仅是一种文学命题,更是一种人生哲学的思索。
客舟听雨 目录
Chapter 1 A Stranger in a Foreign Land
Chapter 2 Three Pairs of Major Opposing Factors in Conrad’s Work
Introduction
The Virtual and the Real in Narcissus— The Nigger of the “Narcissus”
Sea without Land— Typhoon
Civilization and Primitiveness in Darkness— Heart of Darkness
Crossing the Shadow Line— The Shadow-Line
Death under the Shadow— The Secret Agent
Crime and Punishment under Western Eyes— Under Western Eyes
Impact of Four National Cultural Areas on Three Pairs of Main Opposing Factors in Conrad’s Subject Matter
Chapter 3 John Cheever’s Creative Techniques in His Short Novels
Narrow Background
Non-dramatic Plots
Incomplete Endings
Included in the System— Non-personalization of Characters
Cheever and Chekhov
Epilogue
Biography of John Cheever
Chapter 4 The Scars of Hemingway
Transfer of Scars
Hemingway’s Prescription for Trauma
What Hurts Hemingway?
Chapter 5 Contemporary British Female Novelists
Chapter 6 Artistic Technique: “Black Humor”
Subject Matter
Humor
Plot and Character
The Authors’Attitude toward Themselves and Their Readers
Stream of Consciousness
Mobilization of Scientific Concepts
Rhetoric and Grammar
Chapter 2 Three Pairs of Major Opposing Factors in Conrad’s Work
Introduction
The Virtual and the Real in Narcissus— The Nigger of the “Narcissus”
Sea without Land— Typhoon
Civilization and Primitiveness in Darkness— Heart of Darkness
Crossing the Shadow Line— The Shadow-Line
Death under the Shadow— The Secret Agent
Crime and Punishment under Western Eyes— Under Western Eyes
Impact of Four National Cultural Areas on Three Pairs of Main Opposing Factors in Conrad’s Subject Matter
Chapter 3 John Cheever’s Creative Techniques in His Short Novels
Narrow Background
Non-dramatic Plots
Incomplete Endings
Included in the System— Non-personalization of Characters
Cheever and Chekhov
Epilogue
Biography of John Cheever
Chapter 4 The Scars of Hemingway
Transfer of Scars
Hemingway’s Prescription for Trauma
What Hurts Hemingway?
Chapter 5 Contemporary British Female Novelists
Chapter 6 Artistic Technique: “Black Humor”
Subject Matter
Humor
Plot and Character
The Authors’Attitude toward Themselves and Their Readers
Stream of Consciousness
Mobilization of Scientific Concepts
Rhetoric and Grammar
展开全部
客舟听雨 作者简介
赵启光生于北京,获中国社会科学院研究生院英美文学硕士学位,美国马萨诸塞大学比较文学博士学位。现为美国卡尔顿学院终身教授,同时兼任同济大学特聘教授、清华大学客座研究员等。
他开创了美国卡尔顿学院中国语言文学部,一直从事汉语言文学、比较文学,以及道家哲学等的教授工作。近三十年来,他一直致力于传播中华文化,并成批地将美国学生带回靠前交流学习,极大地促成了中美文化的双向交流。
其中文著作有《古道新理——赵启光话讲老子》、《老子的智慧》、《世路心程》、《客舟听雨》、《康拉德小说选》等;英文著作有《中西方龙的研究》(A Study of Dragon: East and West)、《无为无不为》(Do Nothing and Do Everything)等。
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