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文学理论

美国文学简史(第四版)

作者：常耀信

出版社：南开大学出版社出版时间：2023-01-01

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美国文学简史(第四版) 版权信息

ISBN：9787310063741
条形码：9787310063741 ; 978-7-310-06374-1
装帧：一般胶版纸
册数：暂无
重量：暂无
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文学
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文学理论

美国文学简史(第四版) 内容简介

本书精述17世纪早期至当今时代的美国文学发展史，评介主要作家及其代表作品，解析引领时代风气或主导作家创作的重要文学思潮和流派等。新版吸收了近年来美国文学研究的新发现、新成果，增补了近50位作家的小说、诗歌的评介，论述了后现代主义特征在战后美国文坛特别是诗歌、小说、戏剧创作当中的表现；收入了近几十年来评论界对美国文学的新定义、新解释，增加了对少数民族作家（如黑人作家、印第安作家、亚裔作家、拉丁裔作家等）的介绍，这些群体的崛起使美国文学凸现了多样化格局，增添了艺术背景的真实性。

美国文学简史(第四版) 目录

1．ColonialAmerica2．Edwards·Franklin·Crevecoeur3．AmericanRomanticism．Irving．Copper4．NewEnglandTranscendentalism．Emerson．Thoreau5．Hawthorne．Melville6．Whitman．Dickinson7．EdgarAllanPoe8．TheAgeofRealism．Howells．James9．LocalColorism．MarkTwain10．AmericanNaturalism．Crane．Norris．Dreiser．Robinson
11．The1920s．Imagism．Pound12．T．S．Eliot·Stevens·Williams13．Frost．TheChicagoRenaissance．Sandburg．Cummings．HartCrane．Moore14．Fitzgerald??Hemingway15．TheSouthernRenaissance．WilliamFaulkner16．Anderson．Stein．Lewis．Cather．Wolfe17．The1930s．DosPassos．Steinbeck
18．Porter．Welty．McCullers．West．TheNewCriticism19．AmericanDrama20．PostwarPoetry．SomeOlderPoetsofthe1940sGeneration21．TheConfessionalSchool．TheBeatGeneration．22．TheNewYorkSchool．MeditativePoetry．TheBlackMountainPoets23．PostwarAmericanNovel(I)24．PostwarAmericanNovel(II)

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美国文学简史(第四版) 节选

　　《美国文学简史（第四版）》：　　Here is a good illustration of the Oversoul at work. It is "the currents of the Universal Being," of which the individual soul transcends the limits of individuality to become a part. Emerson sees spirit pervading everywhere, not only in the soul of man, but behind nature, throughout nature. Emerson's doctrine of the Oversoul is graphically illustrated in such famous statements： "Each mind lives in the Grand mind," "There is one mind common to all individual men," and "Man is conscious of a universal soul within or behind his individual life." In his opinion, man is made in the image of God and is just a little less than Him. This is as much as to say that man is divine. The divinity of man became a favorite subject in his lectures and essays.　　This naturally led to his emphasis on self-reliance. This was a subject he never stopped talking about all his life. Emerson states that each man should feel the world as his, and the world exists for him alone. Man should determine his own existence. Everyone should understand that he makes himself by making his world, and that he makes the world by making himself. "Know then that the world exists for you..." he says. "Build therefore your own world." "Trust thy self！" and "Make thyself！" Trust your own discretion and the world is yours. Emerson is noted for his notion of "the infinitude of man." He sees man as he could be or could become; he was optimistic about human perfectibility. The regeneration of the individual leads to the regeneration of society. Hence his famous remark, "I ask for the individuals, not the nation." The possible negative effect of Emerson's self-reliance on his time might have been that it provided a good explanation for the conduct and activities of an expanding capitalist society. His essays such as "Power," "Wealth," and "Napoleon" (in his The Representative Men） reveal his ambivalence toward aggressiveness and self-seeking.　　Thirdly, Emerson is noted for his symbolic mode of perception. To his Transcendentalist eyes, the physical world, or nature, was vital and symbolic of God. "Nature is the vehicle of thought," and "particular natural facts are symbols of particular spiritual facts." "Nature is the symbol of spirit." That is probably why he called his first philosophical work Nature. The sensual man, Emerson feels, conforms thoughts to things, and man's power to connect his thought with its proper symbol depends upon the simplicity and purity of his character： "The lover of nature is he... who has retained the spirit of infancy even into the era of manhood." To him nature is a wholesome moral influence on man and his character. A natural implication of Emerson's view on nature is that the world around is symbolic. A flowing river indicates the ceaseless motion of the universe. The seasons correspond to the life span of man. The ant, the little drudge, with a small body and a mighty heart, is the sublime image of man himself.　　This mode of perception had a significant effect on Emerson's aesthetics, the basis of which is contained in this Nature, "The Poet," "The American Scholar," and some other essays. Emerson's poet is no ordinary person. He is a complete man, an eternal man, one whose birth is the principal event in history. He should be able to see into the deeps of infinite time, comprehend the path of things and the divine unity of the Universe by intuition, and communicate the feelings of contact with nature to his fellowmen. True poetry and true art should be ennobling. It should serve as a moral purification and a passage toward organic unity and higher reality. It is evident that the Romantic organic principle was the governing factor in Emerson's aesthetics.　　……

美国文学简史(第四版) 作者简介

常耀信，教授、博士生导师，任教于中国南开大学及美国关岛大学，研究方向为英美文学。著有《希腊罗马神话》《美国文学简史》《英国文学简史》《精编美国文学教程》《美国文学史（上）》《漫话英美文学》等；主编有《美国文学批评名著精读（上、下）》《美国文学选读（上、下）》《文化与文学比较研究论文集》等。在国内外刊物上发表过多篇论文，阐述中国文化对美国文学的影响。先后被选入《远东及太平洋名人录》及《美国名师录》。

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