Äɲ©¿Æ·òÖ®ËûÕßÒâʶ¿Õ¼ä¹¹½¨

introductionchapter one  the speaking "i" pinned in the mundane and the otherworld in invitation to a beheading  ¢¡  the mundane world  ¢¢  the otherworld  ¢£  the interconnection between the mundane and the otherworld  ¢¤  cincinnatus the writer vs. nabokov the speaking selfchapter two  the speaking "i" inscribed between literary "real" and imagination in the real life of sebastian knight  ¢¡  the real and the "real" / imaginative  ¢¢  the life of sebastian knight  ¢£  v.'s epiphany through fictional construction  ¢¤  a space of mimicry constructed for nabokov's speaking selfchapter ¢£  the speaking "i" reinscribed in-between personal life and impersonal art in speak, memory  ¢¡  past memories framed into pattern of artistic consciousness  ¢¢  the return to the textual space in the past  ¢£  the self-analysis of the speaking "i"  ¢¤  the practice and creation of the self in exileconclusionbibliography