°ÅÀÙÐÔ¸ñÎ赸½Ì²Ä½Ìѧ·¨(±±¾©Î赸ѧԺ70ÖÜÄêУÇìϵÁдÔÊé)

001 Ò»¡¢¿ÎÌÃ×Å×°ºÍµÀ¾ßCostumes and Propsin Class 001 £¨Ò»£©ÄÐ×ӵĿÎÌÃ×Å×°Costumes of Male in Class 002 £¨¶þ£©Å®×ӵĿÎÌÃ×Å×°Costumes of Female in Class 003 £¨Èý£©³£ÓõÀ¾ßCommonly Used Props 004 ¶þ¡¢½ÅºÍÊֵĻù±¾Î»Öü°ÉíÌåÐÎ̬The Basic Positions of the Feet, Arms, and Body 004 £¨Ò»£©½ÅµÄ³£Óûù±¾Î»ÖÃThe Basic Positions of the Feet 005 £¨¶þ£©½ÅµÄÌØÊâλÖÃThe Special Positions of the Feet 006 £¨Èý£©ÊֵĻù±¾Î»ÖúÍÉíÌåÐÎ̬The Basic Positions of the Arms and Body 007 £¨ËÄ£©´ø·ç¸ñµÄÊÖ»ù±¾Î»ÖúÍÉíÌåÐÎ̬The Basic Positions of the Arms and Body in Character Dance 011 Èý¡¢·ö°ÑÁ·Ï°Exercises at the Barre 013 £¨Ò»£©Plié-1 Âê×濨Mazurka 016 £¨¶þ£©Plié-2 Âê×濨Mazurka 018 £¨Èý£©Plié-3 ¶íÂÞ˹Russia 020 £¨ËÄ£©Plié-4 Î÷°àÑÀSpain 022 £¨Î壩Plié-5 ¶Ø»Í£¨Å®£©Female. Dunhuang 025 £¨Áù£©Battement tendus-1 ¶íÂÞ˹Russia 029 £¨Æߣ©Battement tendus-2 ¶íÂÞ˹ Russia 030 £¨°Ë£©Battement tendus-3 ¶íÂÞ˹ Russia 033 £¨¾Å£©Ð¡µã-1 ¶íÂÞ˹ Vistukivanie-1 Russia 035 £¨Ê®£©Ð¡µã-2 ¶íÂÞ˹ Vistukivanie-2 Russia 037 £¨Ê®Ò»£©Jeté-1 ËþÀ¼Ì©À­Tarantella 041 £¨Ê®¶þ£©Jeté-2 ÔªËØÑ¡×Ô¡¶ºìÉ«Äï×Ó¾ü¡·“¿ìÀÖµÄŮսʿ”The Materials from The Red Detachment of Women 044 £¨Ê®Èý£©Jeté-3 ¸ñ³¼ªÑÇGeorgia 048 £¨Ê®ËÄ£©Jeté-4 Èû¶ûάÑÇ Serbia 051 £¨Ê®Î壩Rond de jambe-1 Âê×濨 Mazurka 054 £¨Ê®Áù£©Rond de jambe-2 Âê×濨 Mazurka 056 £¨Ê®Æߣ©Rond de jambe-3 »ôËþ£¬Î÷°àÑÀ Jota£¬Spain 058 £¨Ê®°Ë£©Rond de jambe-4 ¹þ°ÍÄùÀ­Habanera 063 £¨Ê®¾Å£©Fondus-1 °¢À­²® Arab 066 £¨¶þÊ®£©Fondus-2 °£¼°Egypt 068 £¨¶þʮһ£©Fondus-3 °¢À­²®Arab 070 £¨¶þÊ®¶þ£©Fondus-4 ÐÙÑÀÀû Hungary 073 £¨¶þÊ®Èý£©Fondus-5 ÔªËØÑ¡×ÔÖйúн®The Materials from Xinjiang China 076 £¨¶þÊ®ËÄ£©Fondus-6 ¶Ø»Í£¨Å®£©Female. Dunhuang 078 £¨¶þÊ®Î壩Fondus-7 ¶Ø»Í£¨ÄУ©Male. Dunhuang 081 £¨¶þÊ®Áù£©“СÉþ”ºÍ“СÉß”£¬ÐÙÑÀÀûVeryovochka and Pas Tortille, Hungary 084 £¨¶þÊ®Æߣ©´øÌøµÄ“СÉþ”£¬ÐÙÑÀÀûVeryovochka with Jumping, Hungary 086 £¨¶þÊ®°Ë£©Flic-flac-1 ¶íÂÞ˹ Russia 088 £¨¶þÊ®¾Å£©Flic-flac-2 ´Ä¸Ô£¨¼ªÆÕÈü£©Tsyganski£¨Gypsy£© 091 £¨ÈýÊ®£©Flic-flac-3 ´Ä¸Ô£¨¼ªÆÕÈü£©Tsyganski £¨Gypsy£© 093 £¨Èýʮһ£©ÖеÄBattement-1£¨45°£© ¶íÂÞ˹ Russia 095 £¨ÈýÊ®¶þ£©ÖеÄBattement-2£¨90°£© ¶íÂÞ˹Russia 098 £¨ÈýÊ®Èý£©Développé-1 ÐÙÑÀÀû Hungary 101 £¨ÈýÊ®ËÄ£©Développé-2 ÐÙÑÀÀûHungary 104 £¨ÈýÊ®Î壩Développé-3 ´Ä¸Ô£¨¼ªÆÕÈü£©Tsyganski£¨Gypsy£© 108 £¨ÈýÊ®Áù£©Développé-4 ¶Ø»Í£¨ÄÐ/Å®£©Male/ Female. Dunhuang 112 £¨ÈýÊ®Æߣ©Grand battement jeté-1 ¶íÂÞ˹ Russia 114 £¨ÈýÊ®°Ë£©Grand battement jeté-2 Î÷°àÑÀ Spain 117 £¨ÈýÊ®¾Å£©Zapateado-1 Î÷°àÑÀ Spain 119 £¨ËÄÊ®£©Zapateado-2 Î÷°àÑÀ Spain 121 £¨ËÄʮһ£©Zapateado-3 Î÷°àÑÀ Spain 125 ËÄ¡¢ÖмäÁ·Ï°Exercises in the Centre 126 ÖмäµÄ»ù±¾µÄ·½Î»Basic Positions in the Centre 127 £¨Ò»£©ÉíÌåµÄ·½Î»Body’s Position 128 £¨¶þ£©Ë«È˶ÔÎèµÄÐÎ̬Positions of Contra Dance 128 ¶íÂÞ˹Î赸Russian Dance 129 £¨Ò»£©»ù±¾²½·¥ºÍСµãÁ·Ï° Basic Steps and Drob 133 £¨¶þ£©Ð¡µãÁ·Ï°Drob 135 £¨Èý£©ÄÐ×ÓÆøÖÊ×éºÏMale Masculinity Combination 139 £¨ËÄ£©ÄÐ×ÓÅÄ´ò×éºÏ Male Slaps Combination 142 £¨Î壩¾çÄ¿Á·Ï° Å®×Ó¶ÀÎ衶ɽé«Ê÷¡·Female Solo Dance, Uralskaya Ryabina 151 £¨Áù£©Ë«ÈËÎèÁ·Ï°——ÔªËØÑ¡×Ô¶íÂÞ˹ĪÒÀлҮ·òÎ赸ÍžçÄ¿Contra Dance£ºThe Materials by Moiseyev Ballet 155 £¨Æߣ©¾çÄ¿Á·Ï° Å®×ÓȺÎ衶¶íÂÞ˹¹ÃÄï¡·——ÔªËØÑ¡×Ô¶íÂÞ˹ĪÒÀлҮ·òÎ赸ÍžçÄ¿Female Group Dance£¬The Russian Girl£ºThe Materials by Moiseyew Ballet 160 ²¨À¼Î赸Polish Dance 161 £¨Ò»£©»ù±¾²½·¥Á·Ï°-1 ¿ËÀ­¿ÆάÑÇ¿ËBasic Steps-1 Krakoviak 163 £¨¶þ£©»ù±¾²½·¥Á·Ï°-2 ¿ËÀ­¿ÆάÑÇ¿ËBasic Steps-2 Krakoviak 166 £¨Èý£©»ù±¾²½·¥Á·Ï° Âê×濨Basic Steps, Mazurka 171 £¨ËÄ£©Pas de bourree¡¢Pas couruºÍPirouettes Âê×濨Mazurka 174 £¨Î壩Golubets£¨Pas Cabriolé-Åö½Å£©Á·Ï° Âê×濨Mazurka 176 £¨Áù£©Âê×濨¡¢ÐÙÑÀÀûµÄ»»Î»Á·Ï°Exchanging Places in Contra Dance, Mazurka and Hungary 178 £¨Æߣ©Ë«ÈËÎè×éºÏÁ·Ï°Contra Dance 184 £¨°Ë£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·Âê×濨Mazurka from Swan Lake 192 ÐÙÑÀÀûÎ赸Hungarian Dance 192 £¨Ò»£©Âý°åÁ·Ï°Adagio 195 £¨¶þ£©¿ì°åÁ·Ï°Allegro 197 £¨Èý£©Âý¿ì°å×éºÏCombination of Adagio and Allegro 204 £¨ËÄ£©ÄÐ×ÓÅÄ´ò×éºÏ£¨½Ú×àÎ裩——ÔªËØÑ¡×Ô¶íÂÞ˹ĪÒÀлҮ·òÎ赸ÍžçÄ¿Male Slaps Combination£¨Rhythmic Dance£©£ºThe Materials by Moiseyev Ballet 207 £¨Î壩˫ÈËÎè×éºÏ£ºÑ¡×Ô¶íÂÞ˹±Ë¶ûÄ·Î赸ѧУ½Ì²ÄContra Dance£ºCombination from Perm State Ballet School 214 £¨Áù£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·ÐÙÑÀÀûÎèHungarian Dance from Swan Lake 231 Òâ´óÀûÎ赸Italian Dance 231 £¨Ò»£©»ù±¾²½·¥Á·Ï° ËþÀ¼Ì©À­ Basic Steps,Tarantella 236 £¨¶þ£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·Äò¨ÀïNapoli from Swan Lake 243 ÑÇϸÑÇÎ赸Asian Dance 244 £¨Ò»£©¸è¾ç¡¶ÒÁ¸ñ¶ûÍõ¡·“²¨Âåά´Ä”Å®×ÓÎèÁ·Ï°——Ñ¡×Ô¶íÂÞ˹±Ë¶ûÄ·Î赸ѧУ½Ì²ÄPolovtsian Dance from Prince Igor£ºThe Version from Perm State Ballet School 248 £¨¶þ£©¾çÄ¿Á·Ï° ¡¶ºúÌÒ¼Ð×Ó¡·°¢À­²®Îè“¿§·È”Ñ¡×Ô¶íÂÞ˹ÂêÀö櫾çÔº°ÅÀÙÎèÍÅ90Äê´úÑݳö°æArabian Dance-Coffee from The Nutcracker, The Version of Mariinsky Theatre in 1990s 252 £¨Èý£©¿ì°åÔªËØÁ·Ï°°£¼°Îè——Ñ¡×Ô¡¶Ò»Ç§ÁãÒ»Ò¹¡· £¨ÓÖÃû¡¶Ð»ºÕÀ­Ôú´ï¡· £©The Materials of Allegro from Scheherazade 256 £¨ËÄ£©¶Ø»ÍÊÖλÁ·Ï°£¨ÄÐ/Å®£©Male/ Female Port de bras of Dunhuang 260 £¨Î壩¶Ø»ÍÅ®×ÓÂý¿ì°å×éºÏFemale Combination of Adagio and Allegro of Dunhuang 266 £¨Áù£©¾çÄ¿Á·Ï° ±±¾©Î赸ѧԺ°ÅÀÙÎèϵԭ´´¾çÄ¿¡¶ÃîÓ°ôæõÑ¡·Dance of Flying Apsaras of Dunhuang by Ballet Department of Beijing Dance Academy 266 Î÷°àÑÀÎ赸Spanish Dance 267 £¨Ò»£©ÊÖλÁ·Ï°Hand Position 271 £¨¶þ£©Balancé¡¢²½·¥ºÍPas de basqueµ¥Ò»Á·Ï°Balancé, Steps and Pas de basque 274 £¨Èý£©Port de bras 277 £¨ËÄ£©Glissade-1 279 £¨Î壩Glissade-2 280 £¨Áù£©Zapateado-1 285 £¨Æߣ©Zapateado-2 ²¨À³ÂÞBolero 290 £¨°Ë£©¾çÄ¿Á·Ï° ¡¶ÌƼªÚ­µÂ¡·°£Ë¹°ÍÌØÖ®Îè——Ñ¡×Ô¶íÂÞ˹ÂêÀö櫾çÔº°ÅÀÙÎèÍÅ90Äê´úÑݳö°æ±¾Male Dance from Don Quixote£ºThe Version of Mariinsky Theatre in 1990s 295 £¨¾Å£©¾­µä¾çÄ¿Á·Ï° ¡¶ÌƼªÚ­µÂ¡·Ã·Èü÷ì˹֮Îè——Ñ¡×Ô¶íÂÞ˹ÂêÀö櫾çÔº°ÅÀÙÎèÍÅ90Äê´úÑݳö°æ±¾Female Dance from Don Quixote£ºThe Version of Mariinsky Theatre in 1990s 299 £¨Ê®£©»»Î»Á·Ï°Exchanging Places in Contra Dance 300 £¨Ê®Ò»£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·Î÷°àÑÀ ¶Ì¾ä-1 Spanish Dance from Swan Lake, Short Sentences-1 301 £¨Ê®¶þ£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·Î÷°àÑÀ ¶Ì¾ä-2 Spanish Dance from Swan Lake, Short Sentences-2 303 £¨Ê®Èý£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·Î÷°àÑÀ ¶Ì¾ä-3 Spanish Dance from Swan Lake, Short Sentences-3 304 £¨Ê®ËÄ£©¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·Î÷°àÑÀ ¶Ì¾ä-4 Spanish Dance from Swan Lake, Short Sentences-4 311 £¨Ê®Î壩¾çÄ¿Á·Ï° ¡¶Ìì¶ìºþ¡·ÈýÄ» Î÷°àÑÀÎèSpainish Dance from Swan Lake Act ¢ó 312 ÊÖ³ÖÏì°åµÄÎ÷°àÑÀÎ赸Spanish Dance with Castanets 313 £¨Ò»£©Ë«ÈËÎèÁ·Ï° »ôËþ——Ñ¡×Ô¶íÂÞ˹±Ï¶ûÄ·Î赸ѧУContra Dance, Jota£ºCombination from Perm State Ballet School 319 £¨¶þ£©Î÷°àÑÀ»ôËþÄÐ×Ó×éºÏ Male Combination of Jota 323 £¨Èý£©¾çÄ¿Á·Ï° Å®×ÓȺÎ衶¿¨ÇïÇ¡¡·Female Group Dance from Cachucha 328 ´Ä¸Ô£¨¼ªÆÕÈü£©Î赸Tsyganski£¨Gypsy£©Dance 329 £¨Ò»£©¾çÄ¿Á·Ï° ¡¶ÌƼªÚ­µÂ¡·´Ä¸ÔÔªËØ——Ñ¡×Ô2009Äê±±¾©Î赸ѧԺ°ÅÀÙÎèϵÑݳö°æ±¾Tsyganski Dance from Don Quixote£ºThe Version of Ballet Department of Beijing Dance Academy in 2009 333 £¨¶þ£©¾çÄ¿Á·Ï° ¡¶ÌƼªÚ­µÂ¡·´Ä¸ÔÅ®¶ÀÎè——Ñ¡×Ô¶íÂÞ˹ÂêÀö櫾çÔº°ÅÀÙÎèÍÅ90Äê´úÑݳö°æ±¾Female Solo Dance from Don Quixote£ºThe Version of Mariinsky Theatre in 1990s 337 £¨Èý£©´Ä¸ÔÔªËغÍ×éºÏÁ·Ï°£¨ÄУ©——Ñ¡×Ô¶íÂÞ˹“Í߸ÔŵÍÞ”°ÅÀÙѧԺÐÔ¸ñÎè½Ì²ÄThe Material for Male£ºCombination from Vaganova Ballet Academy 341 £¨ËÄ£©¾çÄ¿Á·Ï°¡¡¡¶±¦Ê¯»¨¡·´Ä¸ÔÅ®×ÓȺÎèFemale Group Dance from The Stone Flower 347 ÐÔ¸ñÎ赸µÄÐÎÏó»¯ÈËÎïStylized Figures in Character Dance 347 £¨Ò»£©¾çÄ¿Á·Ï° ¡¶Ð¡³ó¡· ¹ÅÀÏÐÔ¸ñÎ赸Ancient Character Dance Clown 348 £¨¶þ£©Ä¦¶û´ïάÑÇÃñ¼äÎ赸¡¶Ï´ÒÂÄï¡·——Ñ¡×Ô¶íÂÞ˹ĪÒÀлҮ·òÎ赸ÍžçÄ¿Moldavian Folk Dance Tabakariaska by Moiseyev Ballet 350 ¸½Â¼ 357 ºó¼Ç