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PREFACE ¢ñ.INTRODUCTION: ORIENTATION OF CRITICAL THEORIES ¢¡.Some Co-ordinates of Art Criticism ¢¢.Mimetic Theories ¢£.Pragmatic Theories ¢¤.Expressive Theories ¢¥.Objective Theories ¢ò.IMITATION AND THE MIRROR ¢¡.Art Is Like a Mirror ¢¢.The Objects of Imitation: the Empirical Ideal ¢£.The Transcendental Ideal ¢ó.ROMANTIC ANALOGUES OF ART AND MIND ¢¡.Metaphors of Expression ¢¢.Emotion and the Objects of Poetry ¢£.Changing Metaphors of Mind ¢ô.THE DEVELOPMENT OF THE EXPRESSIVE THEORY OF§²OETRY AND ART ¢¡.Si vis me flere ¢¢.Longinus and the Longinians ¢£.Primitive Language and Primitive Poctry ¢¤.The Lyric as Poetic Norm ¢¥.Expressive Theory in Germany: Ut Musica Poesis ¢¦.Wordsworth, Blair, and The Enquirer ¢§.Expressive Theory and Expressive Practice ¢õ.VARIETIES OF ROMANTIC THEORY: WORDSWORTH ANDCOLERIDGE ¢¡.Wordsworth and thc Eighteenth Century ¢¢.Coleridge on Pocms, Poctry, and Pocts ¢ö.VARIETIES OF ROMANTIC THEORY: SHELLEY, HAZLITT,KEBLE, AND OTHERS ¢¡.Shelley and Romantic Platonism ¢¢.Longinus, Hazli, Keats, and the Criterion of Intensity ¢£.Poetry as Catharsis: John Keble and Others ¢¤.The Semantics of Expressive Language: Alexander Smith ¢÷.THE PSYCHOLOGY OF LITERARY INVENTION: MECHANICALAND ORGANIC THEORIES ¢¡.The Mechanical Thcory of Literary Invention ¢¢.Coleridge's Mechanical Fancy and Organic Imagination ¢£.The Associative Imagination in the Romantic Period ¢ø.THE PSYCHOLOGY OF LITERARY INVENTION: UNCON-SCIOUS GENIUS AND ORGANIC GROWTH ¢¡.Natural Genius, Inspiration, and Grace ¢¢.Natural Genius and Natural Growth in Eighteenth-Century England ¢£.German Theories of Vegetable Genius ¢¤.Unconscious Invention in English Criticism ¢¥.Coleridge and the Aesthetics of Organism ¢ù.LITERATURE AS A REVELATION OF PERSONALITY ¢¡.Style and the Man ¢¢.Subjective and Objective, and Romantic Polysemism ¢£.Subjective and Objective in English Theory ¢¤.The Paradox of Shakespeare ¢¥.Milton, Satan, and Eve ¢¦.The Key to Homer's Heart ¢ú.THE CRITERION OF TRUTH TO NATURE: ROMANCE,MYTH, AND METAPHOR ¢¡.Truth and the Poetic Marvelous ¢¢.The Logic of Deviation from Empirical Truth ¢£.The Poem as Heterocosm ¢¤.Poctic Truth and Metaphor ¢¥.Wordsworth and Coleridge on Personification and Myth ¢û.SCIENCE AND POETRY IN ROMANTIC CRITICISM ¢¡.Positivism vs.Poetry ¢¢.Newton's Rainbow and the Poet's ¢£.Poetic Truth and Sincerity ¢¤.Poctry as neither True nor False ¢¥.The Use of Romantic Poetry NoTEs INDEX