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潘诺夫斯基论提香/文艺复兴经典书系 版权信息
- ISBN：9787220129704
- 条形码：9787220129704 ; 978-7-220-12970-4
- 装帧：一般胶版纸
- 册数：暂无
- 重量：暂无
- 所属分类：>
潘诺夫斯基论提香/文艺复兴经典书系 本书特色
本书是潘诺夫斯基晚期艺术史研究的代表作，也是其讲座风格的研究方法的典型体现，通过这部著作，我们可以从各个方面来重建潘诺夫斯基的具体研究方法。
潘诺夫斯基论提香/文艺复兴经典书系 内容简介
本书是潘诺夫斯基晚期艺术史研究的代表作，也是其讲座风格的研究方法的典型体现。在众多艺术家中，提香是潘诺夫斯基*喜爱的一位艺术家，也是其倾注精力*多的艺术家之一。从1963年至其1968年去世，有关提香的研究更是构成潘诺夫斯基的一个核心关注点，而这一研究*终集中体现在《潘诺夫斯基论提香》这部著作中。通过这部著作，我们可以从各个方面来重建潘诺夫斯基的具体研究方法。
潘诺夫斯基论提香/文艺复兴经典书系 目录
【目录】
第1章 导论······································································································· 001
第2章 圣经和圣徒传的一些问题·································································· ·026
第3章 对位：伪装的中世纪程式和古典程式················································057
第4章 对时间的反思························································································086·
第5章 对爱与美的反思····················································································106
第6章 提香和奥维德························································································136
附录······················································································································170
附录1：关于文献目录的一些注释································································170
附录2：提香出生日期的问题········································································175
附录3：卡多雷之战························································································178
附录4：提香与塞森格····················································································181
附录5：伊莎贝拉皇后的肖像········································································183
附录6：宗教的寓言························································································185
附录7：罗浮宫的“帕尔多维纳斯” ··························································189
索引······················································································································193
图式［31］之中。
展开全部
潘诺夫斯基论提香/文艺复兴经典书系 作者简介
作者欧文·潘诺夫斯基，美国著名艺术史家，在图像学领域有突出贡献，对二战以后西方艺术史研究有巨大影响，著有《视觉艺术的含义》等。译者陈辉，哲学博士，中国人民大学哲学院讲师，主要研究领域为图像理论、现象学。
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