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最经典英文文库:双城记-英文版 版权信息
- ISBN：9787205076801
- 条形码：9787205076801 ; 978-7-205-07680-1
- 装帧：简裝本
- 册数：暂无
- 重量：暂无
- 所属分类：>>
最经典英文文库:双城记-英文版 内容简介
《*经典英语文库：双城记（英文版）》是描述法国大革命的一部长篇历史小说，“双城”分别指的是巴黎与伦敦。后来被改编拍摄了多个版本的电影，也有音乐专辑以此为名。它也是狄更斯*重要的代表作之一，狄更斯47岁时发表，算是其中年的巅峰之作。 早在创作《双城记》之前很久，狄更斯就对法国大革命极为关注，反复研读《法国革命史》和有关著作。他对法国大革命的浓厚兴趣，发端于对当时英国潜伏着的严重社会危机的担忧。1854年底，他说：“我相信，不满情绪像这样冒烟比火烧起来还要坏得多，这特别像法国在DI一次革命爆发前的公众心理，这就有危险，由于千百种原因——如收成不好、贵族阶级的专横与无能，把已经紧张的局面*后一次加紧、海外战争的失利、国内偶发事件等等——变成从未见过的一场可怕的大火。”
最经典英文文库:双城记-英文版 目录
Book the First-Recalled to Life
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
Book the Second-the Golden Thread
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER7
CHAPTER 8
CHAPTER9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
……
Book the Third-the Track of a Storm
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
Book the Second-the Golden Thread
CHAPTER 1
CHAPTER 2
CHAPTER 3
CHAPTER 4
CHAPTER 5
CHAPTER 6
CHAPTER7
CHAPTER 8
CHAPTER9
CHAPTER 10
CHAPTER 11
CHAPTER 12
CHAPTER 13
CHAPTER 14
CHAPTER 15
CHAPTER 16
CHAPTER 17
CHAPTER 18
CHAPTER 19
CHAPTER 20
CHAPTER 21
CHAPTER 22
……
Book the Third-the Track of a Storm
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最经典英文文库:双城记-英文版 节选
"She was a good， compassionate lady， and not happy in her marriage. How could she be! The brother distrusted and disliked her， and his influence was all opposed to her; she stood in dread of him， and in dread of her husband too. When I handed her down to the door， there was a child， a pretty boy from two to three years old， in her carnage. "'For his sake， Doctor，' she said， pointing to him in tears， 'I would do all I can to make what poor amends I can. He will never prosper in his inheritance otherwise. I have a presentiment that if no other innocent atonement is made for this， it will one day be required of him. What I have left to call my own-it is little beyond the worth of a few jewels-l will make it the first charge of his life to bestow， with the compassion and lamenting of his dead mother， on this injured family， if the sister can be discovered.' "She kissed the boy， and said， caressing him， 'It is for thine own dear sake. Thou wilt be faithful， little Charles?' The child answered her bravely， 'Yes! I kissed her hand， and she took him in her arms， and went away caressing him. I never saw her more."As she had mentioned her husband's name in the faith that I knew it， I added no mention of it to my letter. I sealed my letter， and， not trusting it out of my own hands， delivered it myself that day. "That night， the last night of the year， towards nine o'clock， a man in a black dress rang at my gate， demanded to see me， and softly followed my servant， Ernest Defarge， a youth， up-stairs. When my servant came into the room where I sat with my wife my wife， beloved of my heart! My fair young English wife!-we saw the man， who was supposed to be at the gate， standing silent behind him. "An urgent case in the Rue St. Honore， he said. It would not detain me， he had a coach in waiting. ……
最经典英文文库:双城记-英文版 作者简介
Charles Dickens （February 1812-9 June 1870） was an English writer and social critic. He created some of the world's most memorable fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life， his works enjoyed unprecedented fame， and by the twentieth century his literary genius was broadly acknowledged by critics and scholars. His novels and short stories continue to be widely popular. His novels， most published in monthly or weekly instalments， pioneered the serial publication of narrative fiction， which became the dominant Victorian mode for novel publication. His most famous novels are David Copperfield， Oliver Twist， Bleak House and Great Expectations. Dickens was regarded as the literary colossus of his age. His 1843 novella， A Christmas Carol， is one of the most infiuential works ever written， and it remains popular and continues to inspire adaptations in every artistic genre. His creative genius has been praised by fellow writers-from Leo Tolstoy to G. K. Chesterton and George Orwell-for its realism， comedy， prose style， unique characterizations， and social criticism. On the other hand Oscar Wilde， Henry James and Virginia Woolf complained of a lack of psychological depth， loose writing， and a vein of saccharine sentimentalism.
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