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1 ¨¡idiào °§µõ

Essay of Mourning and Essay of Memory ¡­¡­¡­¡­ 1

2 ¨¡ij¨«ng-xi¨§lè °§¾°Ð´ÀÖ

Depict Sorrowful Scenery to Express Happiness ¡­¡­¡­¡­ 3

3 b¨¡y¨©n-kèxié °ËÒô¿Ëг

Harmonious Combination of Eight Sounds ¡­¡­¡­¡­ 4

4 báimiáo °×Ãè

Plain Line Drawing ¡­¡­¡­¡­ 5

5 b¨£ixì °ÙÏ·

Baixi (All Performing Arts) ¡­¡­¡­¡­ 7

6 b¨¥ik¨£i ±¯¿®

Depressed and Enraged ¡­¡­¡­¡­ 8

7 b¨§iq¨³ ±±Çú

Northern Opera ¡­¡­¡­¡­ 10

8 b¨§nsè ±¾É«

Bense (Original Character) ¡­¡­¡­¡­ 12

9 b¨«dé ±ÈµÂ

Virtue Comparison ¡­¡­¡­¡­ 15

10 bi¨¡nsàish¨© ±ßÈûÊ«

Frontier Poetry ¡­¡­¡­¡­ 16

11 biànt¨« ±æÌå

Style Differentiation ¡­¡­¡­¡­ 17

12 bi¨¡oj¨³-xìnghuì ±ê¾ÙÐË»á

Distinctiveness and Spontaneity ¡­¡­¡­¡­ 19

13 biécái-biéqù ±ð²Ä±ðȤ

Distinct Subject and Artistic Taste ¡­¡­¡­¡­ 21

14 biéjí±ð¼¯

Individual Collection ¡­¡­¡­¡­ 23

15 bù nián bù tu¨­, bù jí bù lí ²»ð¤²»ÍÑ£¬²»¼´²»Àë

Neither Obsessed with Nor Detached from the Objects Depicted ¡­¡­¡­¡­ 24

16 bùpíngzémíng ²»Æ½ÔòÃù

Cry Out Against Injustice ¡­¡­¡­¡­ 26

17 bù shè l¨«lù, bù luò yánquán ²»ÉæÀí·£¬²»ÂäÑÔóÜ

Dispense with Theory and Logic; Take Care Not to Fall into Traps of Language ¡­¡­¡­¡­ 28

18 bùsìzh¨©sì ²»ËÆÖ®ËÆ

Dissimilar in Form but Similar in Spirit ¡­¡­¡­¡­ 29

19 bù xué ¡¶sh¨©¡·, wú y¨« yán ²»Ñ§¡¶Ê«¡·£¬ÎÞÒÔÑÔ

You Won¡¯t Be Able to Talk Properly with Others Without Studying The Book of Songs. ¡­¡­¡­¡­ 32

20 c¨£osh¨± ²ÝÊé

Cursive Script ¡­¡­¡­¡­ 33

¡­¡­

141 nóngdàn Ũµ­

Denseness and Lightness ¡­¡­¡­¡­ 227

142 pi¨¡oyì Æ®ÒÝ

Natural Grace ¡­¡­¡­¡­ 228

143 p¨«ntí Æ·Ìâ

Make Appraisals ¡­¡­¡­¡­ 229

144 qízhèng ÆæÕý

Qi or Zheng (Surprise or Normal) ¡­¡­¡­¡­ 231

145 qìg¨³ Æø¹Ç

Qigu (Emotional Vitality and Forcefulness) ¡­¡­¡­¡­ 233

146 qìxiàng ÆøÏó

Prevailing Features ¡­¡­¡­¡­ 235

147 qìyùn ÆøÔÏ

Artistic Appeal ¡­¡­¡­¡­ 236

148 qi¨¡nxi¨£n¨À-miàodé ǨÏëÃîµÃ

Inspirational Creation Based on Association in Thinking ¡­¡­¡­¡­ 238

149 qi¨£ozhu¨­ ÇÉ×¾

Cleverness and Clumsiness ¡­¡­¡­¡­ 240

150 q¨©ngcí-lìjù Çå´ÊÀö¾ä

Refreshing Words and Exquisite Expressions ¡­¡­¡­¡­ 242

151 qín¨Àf¨¡yúsh¨¥n¨À Çé·¢ÓÚÉù

Feelings Find Expression in Musical Poetry. ¡­¡­¡­¡­ 243

152 qín¨À ji¨¡n y¨£yuàn Çé¼æÑÅÔ¹

A Mixed Quality of Grace and Sorrow ¡­¡­¡­¡­ 244

153 qín¨Àjiào Çé½Ì

Moral Instruction Carried Out with Emotion ¡­¡­¡­¡­ 246

154 qíngj¨«ng Çé¾°

Sentiment and Scenery ¡­¡­¡­¡­ 248

155 qíng y¨« wù qi¨¡n, cí y¨« qíng f¨¡ ÇéÒÔÎïǨ£¬´ÇÒÔÇé·¢

Feeling Varies with Scenery and Verbal Expression Arises from Feeling. ¡­¡­¡­¡­ 249

156 Q¨±-Sòng ÇüËÎ

The Qu-Song Duo ¡­¡­¡­¡­ 251

157 q¨³ Çú

Qu (Melody) ¡­¡­¡­¡­ 252

158 q¨³jìn¨À È¡¾³

Qujing (Conceptualize an Aesthetic Feeling) ¡­¡­¡­¡­ 254

159 qù Ȥ

Qu ¡­¡­¡­¡­ 255

160 quànb¨£i-f¨§ngy¨© È°°Ù·çÒ»

Much Blandishment and Little Criticism ¡­¡­¡­¡­ 257

¡­¡­

281 zh¨¡ngjù Õ¾ä

Textual Components / Annotation Work ¡­¡­¡­¡­ 452

282 zhàocè Ú¯²ß

Imperial Edicts ¡­¡­¡­¡­ 454

283 zhèngsh¨¥ng ÕýÉù

Proper Music / Finest Poetry ¡­¡­¡­¡­ 456

284 Zhèn¨Àsh¨« t¨« ÕýʼÌå

The Zhengshi Literary Style ¡­¡­¡­¡­ 457

285 zhèn¨Àsh¨¥n¨À Ö£Éù

The Music of the State of Zheng ¡­¡­¡­¡­ 458

286 zh¨©y¨©n ÖªÒô

Resonance and Empathy ¡­¡­¡­¡­ 460

287 zhíxún ֱѰ

Direct Quest ¡­¡­¡­¡­ 461

288 zh¨«ch¨« y¨¯u wànl¨« zh¨© shì åë³ßÓÐÍòÀïÖ®ÊÆ

Power of Landscape Within Inches ¡­¡­¡­¡­ 462

289 zhìlè-wúlè ÖÁÀÖÎÞÀÖ

Utmost Happiness Lies in Not Aware of the Happiness. ¡­¡­¡­¡­ 465

290 zhìshìzh¨©y¨©n ÖÎÊÀÖ®Òô

Music of an Age of Good Order ¡­¡­¡­¡­ 466

291 zh¨±g¨­ngdiào Öµ÷

Song-speech Drama ¡­¡­¡­¡­ 467

292 zh¨³ wén ér jué jiàn Ö÷ÎĶøÚÜÚÉ

Admonition Through Tactful Wording ¡­¡­¡­¡­ 469

293 zhùméng ×£ÃË

Benediction and Vow of Allegiance ¡­¡­¡­¡­ 470

294 zhu¨£nyì-du¨­sh¨© תÒæ¶àʦ

Learn from Many Masters, and Form Your Own Style ¡­¡­¡­¡­ 472

295 z¨©wèi ×Ìζ

Nuanced Flavor ¡­¡­¡­¡­ 474

296 z¨«zh¨©duózh¨± ×ÏÖ®¶áÖì

Purple Prevailing over Red ¡­¡­¡­¡­ 475

297 zìrán-y¨©ngzh¨« ×ÔȻӢּ

Charm of Spontaneity ¡­¡­¡­¡­ 476

298 z¨¯ngjí ×ܼ¯

General Collection / Anthology ¡­¡­¡­¡­ 478

299 zòuq¨« ×àÆô

Memorial or Statement to Present One¡¯s View to the Emperor ¡­¡­¡­ 480

300 z¨±nb¨¥i-bi¨£ntiè ×ð±®±áÌû

Praising Stone Inscriptions while Belittling Copying from tone Rubbings ¡­¡­¡­¡­ 482

¸½Â¼ Appendices

ÖйúÀúÊ·Äê´ú¼ò±í A Brief Chronology of Chinese History ¡­¡­¡­¡­ 484

ÈËÃûË÷Òý Index of Names ¡­¡­¡­¡­ 486

Öø×÷ÃûË÷Òý Index of Cited Works ¡­¡­¡­¡­ 493

ÊõÓïÌõÄ¿±Ê»­Ë÷Òý Concepts Listed in Order of Number of Strokes ¡­¡­¡­¡­ 505