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Abbreviations
Chapter One Introduction
Chapter Two A Plurality of Benjamin's Texts£º From Kabbalah to Deconstructive Reading

Chapter Three Critique of Language
3£®1 The Resources of Views of Language£º German Romantic Tradition and Jewish Kabbalistic Theology
3£®2 Critique of Bourgeois View of Language
3£®3 Critique of Kantian Philosophy on Experience
3£®4 Language£¬ Materialism and the Mimetic Faculty
3£®5 Three Languages£º Language of Man£¬ Language of Things£¬ Language of God
3£®6 Benjamin's Semamic Triangle£º Word£¬ Name£¬ and Object of Intention£» Naming Language/Sign Language£» Nominalism/ Realist
3£®7 Language and Mind
3£®8 Degeneration of Language
3£®8£®1 Internality and Externality of Langauge
3£®8£®2 Degeneration of Language and Origin of Modernity
3£®8£®3 Translation£º Rescuing the Sacred Anamnesis

Chapter Four Critique of Translation
4£®1 "The Death of the Reader"
4£®2 Translatability/Untranslatability
4£®3 The Forerunner of Post-moderu View of Translation
4£®4 Hermeneutics£º The Whole and the Part
4£®5 Affinity Between Pure Language and Universal Grammar£¬ and the Kinship of Languages
4£®6 Demarcation Between Ontology/Epistemology£» Science/ Humanities£» The Tree of Life/The Tree of Knowledge
4£®7 Translation as a Metaphor

Chapter Five Critique of Modernity
5£®1 Origin of Benjamin's Modernity
5£®1£®1 Charles Baudelaire
5£®1£®2 Marx
5£®1£®3 Nietzsche
5£®1£®4 Georg Simmel and Siegfried Kracauer
5£®2 Modernity of Art and Its Cost
5£®2£®1 The Age of Mechanical Reproduction
5£®2£®2 The End of the Storytelling
5£®3 Prehistory of Modernity
5£®3£®1 Methodology of Constructing Prehistory of Modernity£º Archaeological Monadology
5£®3£®2 Modernity of Paris in the 19th Century£º Illusion and Disillusion

Chapter Six Theological Dimension£º Traces of Messiah
Chapter Seven Conclusion
Bibliography