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威廉·福克纳种族观研究及其他 版权信息
- ISBN：9787568255677
- 条形码：9787568255677 ; 978-7-5682-5567-7
- 装帧：一般胶版纸
- 册数：暂无
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威廉·福克纳种族观研究及其他 本书特色
本书旨在对1949年诺贝尔文学奖获得者、美国南方作家兼20世纪※伟大小说家威廉·福克纳的代表性长、短篇小说进行多维度解读。该书分为三部分：福克纳小说种族主题研究、福克纳小说文化研究及福克纳小说创作与欧洲先锋画派之跨界研究。种族主题阐释部分基于文本细读法，从人物塑造、美学功用、陌生化、心理分析、意识形态批评、新历史主义、空间批评等视角对福氏不同时期作品中五个阶段——希望开端、急剧初升、心理飞跃、达至※峰、冰期滑坡——的黑人表征进行探讨，勾勒“抛物线”状架构，展现小说家在相关主题上的辉煌成就与不足，以期提炼其“黑人观”。文化研究部分运用互文性、空间批评、阐释学等批评工具从性别、族性、身份等层面对福克纳的代表作等进行文学解读及翻译批评。跨界研究部分重点探讨福克纳的小说创作与欧洲先锋画派之间穿越时空之跨界姻缘及互文关联，深入考查小说家对印象主义及后印象主义画派技巧的借鉴。
威廉·福克纳种族观研究及其他 内容简介
本书分为两部分: 福克纳小说种族主题研究、其他研究。主要阐释基于文本细读法, 从人物塑造、美学功用、陌生化、心理分析、意识形态批评、新历史主义、空间批评等视角对福氏不同时期作品中五个阶段 —— 希望开端、急剧初升、心理飞跃、达至巅峰、冰期滑坡 —— 的黑人表征进行探讨, 勾勒“抛物线”状架构, 展现小说家在相关主题上的辉煌成就与不足, 以期提炼其“黑人观”。
威廉·福克纳种族观研究及其他 目录
**部分 种族主题研究
一、概述及述评 ································································· 003
Ⅰ. “极辉煌之失败”：黑人群体表征之“抛物线”架构 ··········· 003
希望开端 ·································································· 004
急剧初升 ·································································· 006
心理飞跃 ·································································· 008
达至巅峰 ·································································· 010
冰期滑坡 ·································································· 012
Ⅱ. 一言难尽：“黑人观”批评史 ········································· 015
欧美白人批评 ···························································· 015
美国黑人批评 ···························································· 019
国内批评 ·································································· 020
批评史及现状简评 ······················································ 021
二、创作背景：充满张力的种族三角——黑人、南方与艺术家 ····· 024
Ⅰ. 黑人：种族及美学关注的中心 ······································· 025
Ⅱ. 南方：动荡不安的中心 ················································ 028
Ⅲ. 作家：艺术创造的中心 ················································ 030
三、种族主题阐释 ······························································ 033
Ⅰ. 希望开端 ·································································· 033
《军饷》：摸“黑”前进 ················································ 034
《坟墓里的旗帜》：约克纳帕塔法世系“门槛”上的黑人 ······ 044
《曾有过这样一位女王》：初遇混血儿 ······························ 054
Ⅱ. 急剧初升 ·································································· 062
《喧哗与骚动》：被赋予中心视觉的黑人家庭 ····················· 063
《夕阳》：绝望的南希——种族、性别剥削的双重受害者 ······ 092
《殉葬》：环境及印第安奴隶制的受害者 ··························· 097
Ⅲ. 心理飞跃 ·································································· 105
《八月之光》：对“种族混杂情结”的**次系统解谜 ········· 106
《干旱的九月》：对歇斯底里的“白人女性崇拜”的
戏剧性表征 ······························································· 128
《圣殿》：对作为“观念的黑色”的戏剧化表征 ··························· 131
《埃莉》与《山上的胜利》：对“血统之谜”的戏剧化延展 ············ 137
Ⅳ. 达至巅峰 ············································································ 142
《押沙龙，押沙龙！》：黑人的“百科全书” ································ 143
《去吧，摩西》：黑人的“人权宣言” ······································· 161
Ⅴ. 冰期滑坡 ············································································ 171
《未被征服者》：老邦联游戏的重演 ·········································· 174
《坟墓的闯入者》与《修女安魂曲》：被神话的“暴君”
与神秘化的“修女” ···························································· 179
《掠夺者》：跌落地面 ···························································· 186
四、成也伟大，败也辉煌：黑人角色塑造之不足 ································· 192
Ⅰ. 刻板形象 ············································································ 192
Ⅱ. 文本介入 ············································································ 197
Ⅲ. 种族内部现实之忽略 ····························································· 201
第二部分 其他研究
一、文化研究 ·············································································· 207
Ⅰ. 《我弥留之际》：艾迪·本德伦的“漩涡式”礼葬 ···························· 207
Ⅱ. 《八月之光》：乔·克里斯默斯的魔咒空间 ·································· 215
Ⅲ. 《去吧，摩西》：乌托邦欲望的审美释放 ··································· 225
IV. 《押沙龙，押沙龙！》：历史与文本的互动·································· 235
V. 《喧哗与骚动》：斯坦纳阐释学视角下的中译本翻译补偿 ·············· 244
二、跨界研究 ·············································································· 253
Ⅰ. 穿越时空的对话：福克纳与后/印象主义画派的跨界姻缘 ··············· 255
Ⅱ. 福克纳小说创作对后/印象主义画派技巧的借鉴 ··························· 266
Ⅲ. 神品·诡风·妙构：《我弥留之际》的印象主义文体及
结构特征解析 ······································································ 277
参考文献 ···················································································· 288
索引 ·························································································· 303
一、概述及述评 ································································· 003
Ⅰ. “极辉煌之失败”：黑人群体表征之“抛物线”架构 ··········· 003
希望开端 ·································································· 004
急剧初升 ·································································· 006
心理飞跃 ·································································· 008
达至巅峰 ·································································· 010
冰期滑坡 ·································································· 012
Ⅱ. 一言难尽：“黑人观”批评史 ········································· 015
欧美白人批评 ···························································· 015
美国黑人批评 ···························································· 019
国内批评 ·································································· 020
批评史及现状简评 ······················································ 021
二、创作背景：充满张力的种族三角——黑人、南方与艺术家 ····· 024
Ⅰ. 黑人：种族及美学关注的中心 ······································· 025
Ⅱ. 南方：动荡不安的中心 ················································ 028
Ⅲ. 作家：艺术创造的中心 ················································ 030
三、种族主题阐释 ······························································ 033
Ⅰ. 希望开端 ·································································· 033
《军饷》：摸“黑”前进 ················································ 034
《坟墓里的旗帜》：约克纳帕塔法世系“门槛”上的黑人 ······ 044
《曾有过这样一位女王》：初遇混血儿 ······························ 054
Ⅱ. 急剧初升 ·································································· 062
《喧哗与骚动》：被赋予中心视觉的黑人家庭 ····················· 063
《夕阳》：绝望的南希——种族、性别剥削的双重受害者 ······ 092
《殉葬》：环境及印第安奴隶制的受害者 ··························· 097
Ⅲ. 心理飞跃 ·································································· 105
《八月之光》：对“种族混杂情结”的**次系统解谜 ········· 106
《干旱的九月》：对歇斯底里的“白人女性崇拜”的
戏剧性表征 ······························································· 128
《圣殿》：对作为“观念的黑色”的戏剧化表征 ··························· 131
《埃莉》与《山上的胜利》：对“血统之谜”的戏剧化延展 ············ 137
Ⅳ. 达至巅峰 ············································································ 142
《押沙龙，押沙龙！》：黑人的“百科全书” ································ 143
《去吧，摩西》：黑人的“人权宣言” ······································· 161
Ⅴ. 冰期滑坡 ············································································ 171
《未被征服者》：老邦联游戏的重演 ·········································· 174
《坟墓的闯入者》与《修女安魂曲》：被神话的“暴君”
与神秘化的“修女” ···························································· 179
《掠夺者》：跌落地面 ···························································· 186
四、成也伟大，败也辉煌：黑人角色塑造之不足 ································· 192
Ⅰ. 刻板形象 ············································································ 192
Ⅱ. 文本介入 ············································································ 197
Ⅲ. 种族内部现实之忽略 ····························································· 201
第二部分 其他研究
一、文化研究 ·············································································· 207
Ⅰ. 《我弥留之际》：艾迪·本德伦的“漩涡式”礼葬 ···························· 207
Ⅱ. 《八月之光》：乔·克里斯默斯的魔咒空间 ·································· 215
Ⅲ. 《去吧，摩西》：乌托邦欲望的审美释放 ··································· 225
IV. 《押沙龙，押沙龙！》：历史与文本的互动·································· 235
V. 《喧哗与骚动》：斯坦纳阐释学视角下的中译本翻译补偿 ·············· 244
二、跨界研究 ·············································································· 253
Ⅰ. 穿越时空的对话：福克纳与后/印象主义画派的跨界姻缘 ··············· 255
Ⅱ. 福克纳小说创作对后/印象主义画派技巧的借鉴 ··························· 266
Ⅲ. 神品·诡风·妙构：《我弥留之际》的印象主义文体及
结构特征解析 ······································································ 277
参考文献 ···················································································· 288
索引 ·························································································· 303
展开全部
威廉·福克纳种族观研究及其他 作者简介
鲍忠明（1970-），安徽省天长市人，北京理工大学外国语学院副教授，硕士生导师。2006年北京外国语大学英语语言文学方向博士毕业，2017年9月-2018年9月哈佛大学英语系访问学者。研究方向为美国小说及西方现当代文学理论，研究重点是美国著名作家威廉•福克纳和欧美绘画与现代小说的跨界关联。近年来在国内外杂志上发表中英文论文30余篇著、译作数篇和专著一部（《※辉煌的失败：福克纳对黑人群体的探索》），主持国家※社科项目和校级精品课程项目各一项。
辛彩娜（1987-），2017年毕业于中国人民大学，获文学博士学位，中国海洋大学外国语学院讲师，专业方向为英美文学，现主要从事乔伊斯研究和福克纳研究。
张玉婷（1990-），辽宁大连人，北京外国语大学英语语言文学专业在读博士生。研究方向为美国小说，现主要从事威廉•福克纳研究。
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