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Chapter 1 Introduction
Chapter 2 A Semiotic Approach to Drama
2£®1 Redefinition of the Components of Drama
2£®2 Relation and Deviation in Semiotic Approaches
2£®3 Caryl Churchill's Deviation Strategies

Chapter 3 Deviation from the Principle of Succession£º From a Reformist Perspective to a Marxist Socialist Position
3£®1 Deviation Strategy in The Judge's Wife£º A Middle-class Reformist View
3£®2 Deviation Strategy in Traps£º British Socialist Tradition
3£®3 Deviation Strategy in The After Dinner Joke£º a Marxist socialist concern

Chapter 4 Deviation Strategy in the Construction of Characters£º Ambiguity Produced by the Presentation of the Revolutionaries
4£®1 Vernon vs Michael£º Revolutionaries or Criminals
4£®2 Fanon vs Patient A£º Subversive Power or Victim of Violence
4£®3 The Unspeaking Guerrillas£º Subversive Force or Criminal

Chapter 5 Multiple-Role Casting Scheme£º Ambiguity in the Staging of Class Conflict
5£®1 The Multiple-Role Casting Scheme£º Breaking the Fourth Wall
5£®2 Doubling of Characters with Similarities£º Highlighting the Class Conflicts
5£®3 Multiple-Role Casting£º Blurring the Identities and Class Status

Chapter 6 Contradiction between Speech and Discursive Position£º Ambiguous Political Stance Presented by Discourse Strategy
6£®1 Discursive Strategy that Promotes Marxist Political Views
6£®2 Discursive Strategy that Reveals Complicity with the Bourgeoisie

Chapter 7 Conclusion
Works Cited
Index