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单声部视唱教程-(全2册) 版权信息
- ISBN：9787536076631
- 条形码：9787536076631 ; 978-7-5360-7663-1
- 装帧：80g胶版纸
- 册数：暂无
- 重量：暂无
- 所属分类：>
单声部视唱教程-(全2册) 本书特色
《单声部视唱教程》，分上、下两册。适合用于各类音乐与艺术院校的视唱练耳基础教学，也可作为投考各类音乐与艺术院校的考试学习用书。本书按照固定唱名法的要求编排，但加入了首调视唱的读谱练习，其有别于同类书的编排特点是：“变化音、转调”不再是独立章节，而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。
单声部视唱教程-(全2册) 内容简介
视唱的读谱练习。适合用于各类音乐与艺术院校的视唱练耳基础教学，也可以作为投考各类音乐与艺术院校的考试学习用书。 本教程有别于同类教材的编排特点是，“变化音、转调”不再是独立章节，而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。使每章的调性在这种调式音与调式变音的对比、主调与副调的对比中更加巩固。另外，少量不常用的较复杂节拍与节奏的曲例亦如此编排。即：有关视唱各方面的内容不再各自独立，而是采用独特的并排渐进的编排方式。从本教程的目录便可看到，这“并排”是有所选的、“渐进”是有所控的，整个编排既突出了建立、巩固调性的中心，又不乏“变化音、转调”等内容，便于教学。
单声部视唱教程-(全2册) 目录
（上）
第二部分 视 唱
**章 无升降号为主的调
（常用节拍 基本节奏型）
**单元 自然调式 同宫系统各调式
一、 拍（ ）
自然大调式（一）···························································19（上） **部分 节奏 常用节奏型及其“读名”··························································1 基本节奏型的变形·······························································2 **单元 八分、十六分音符的节奏组合············································3 第二单元 附点节奏·····························································4 第三单元 切分节奏·····························································6 第四单元 八三拍 八六拍 三连音节奏···········································8 第五单元 综合练习·····························································11 第六单元 复附点等节奏························································13 第七单元 较复杂的切分节奏····················································15 第八单元 部分节奏、节拍的对比················································18
第二部分 视 唱 **章 无升降号为主的调 （常用节拍 基本节奏型） **单元 自然调式 同宫系统各调式 一、 拍（ ） 自然大调式（一）···························································19 自然大调式（二）···························································27 自然小调式 ·······························································40 二、 拍（ 弱起）····························43 三、 拍（） 宫调式·····································································57 羽调式·····································································60 徵调式·····································································62 商调式·····································································63 角调式·····································································65 四、 拍（） ·······························`·····································67 五、 拍（ ）·························································71 第二单元 和声、旋律小调式·······················································73 第三单元 C调综合练习···························································83 第四单元 变化音（辅助、经过式）··················································98 第五单元 转调（调式转换）························································105 第二章 一个升号为主的调 （三连音与含八分音符节奏型的组合， 等节奏； 拍） **单元 自然大调式···························································110 第二单元 自然、和声、旋律小调式················································121 第三单元 同宫系统各调式························································131 第四单元 G调综合练习··························································137 第五单元 变化音（辅助、经过式）·················································141 第六单元 转调（近关系调）·······················································144 第七单元 多利亚、弗利几亚小调式（一个升号的调与六个降号的调）···················151 第三章 一个降号为主的调 （三连音与含十六分音符节奏型的组合，连续切分等节奏； 拍） **单元 自然大调式····························································154 第二单元 自然、和声、旋律小调式················································166 第三单元 同宫系统各调式························································176 第四单元 F调综合练习··························································182 第五单元 变化音（辅助、经过式）·················································187 第六单元 转调（近关系调）·······················································191 第七单元 利底亚、混合利底亚大调式（一个降号的调与六个升号的调）·················199 附录 指挥图式·······································································201 部分常用音乐术语·······························································202 （下） 第四章 两个升号为主的调 （总时值为半拍的附点节奏型，连续切分等节奏； 拍） **单元 自然大调式·····························································1 第二单元 自然、和声、旋律小调式·················································9 第三单元 同宫系统各调式························································16 第四单元 D调综合练习··························································22 第五单元 变化音（经过、换音、倚音式）···········································29 第六单元 转调（近关系调 D同主音大、小调）······································33 第七单元 和声、旋律大调式（两个升号的调与五个降号的调）··························40 第五章 两个降号为主的调 （总时值为半拍的三连音节奏型，带延音线的切分、连续切分等节奏； 拍） **单元 自然大调式·····························································42 第二单元 自然、和声、旋律小调式·················································50 第三单元 同宫系统各调式·························································59 第四单元 bB调综合练习··························································66 第五单元 变化音（经过、换音、倚音式）············································73 第六单元 转调（近关系调 G同主音大、小调）······································78 第七单元 和声、旋律大调式（两个降号的调与五个升号的调）··························87 第六章 三个升号为主的调 （总时值为两拍的三连音节奏型，较复杂的切分等节奏； 拍） **单元 自然大调式····························································90 第二单元 自然、和声、旋律小调式················································97 第三单元 同宫系统各调式·······················································104 第四单元 A调综合练习·························································111 第五单元 变化音（换音、倚音、变和弦式）········································118 第六单元 转调（近关系调 A同主音大、小调）····································123 第七单元 雅乐调式 湖南特殊调式（三个升号的调与四个降号的调）···················132 第七章 三个降号为主的调 （含三十二分音符的节奏型，三连音节奏的变形，二、四、五、六、七连音节奏型，较复杂的切分等节奏； 拍） **单元 自然大调式···························································135 第二单元 自然、和声、旋律小调式················································144 第三单元 同宫系统各调式························································152 第四单元 bE调综合练习·························································158 第五单元 变化音（换音、倚音、变和弦式）·········································164 第六单元 转调（近关系调 C同主音大、小调）·····································170 第七单元 燕乐调式（三个降号的调与四个升号的调）·································178 附录 指挥图式·······································································180 部分常用音乐术语·······························································181 主要参考书目···································································183信息
第二部分 视 唱
**章 无升降号为主的调
（常用节拍 基本节奏型）
**单元 自然调式 同宫系统各调式
一、 拍（ ）
自然大调式（一）···························································19（上） **部分 节奏 常用节奏型及其“读名”··························································1 基本节奏型的变形·······························································2 **单元 八分、十六分音符的节奏组合············································3 第二单元 附点节奏·····························································4 第三单元 切分节奏·····························································6 第四单元 八三拍 八六拍 三连音节奏···········································8 第五单元 综合练习·····························································11 第六单元 复附点等节奏························································13 第七单元 较复杂的切分节奏····················································15 第八单元 部分节奏、节拍的对比················································18
第二部分 视 唱 **章 无升降号为主的调 （常用节拍 基本节奏型） **单元 自然调式 同宫系统各调式 一、 拍（ ） 自然大调式（一）···························································19 自然大调式（二）···························································27 自然小调式 ·······························································40 二、 拍（ 弱起）····························43 三、 拍（） 宫调式·····································································57 羽调式·····································································60 徵调式·····································································62 商调式·····································································63 角调式·····································································65 四、 拍（） ·······························`·····································67 五、 拍（ ）·························································71 第二单元 和声、旋律小调式·······················································73 第三单元 C调综合练习···························································83 第四单元 变化音（辅助、经过式）··················································98 第五单元 转调（调式转换）························································105 第二章 一个升号为主的调 （三连音与含八分音符节奏型的组合， 等节奏； 拍） **单元 自然大调式···························································110 第二单元 自然、和声、旋律小调式················································121 第三单元 同宫系统各调式························································131 第四单元 G调综合练习··························································137 第五单元 变化音（辅助、经过式）·················································141 第六单元 转调（近关系调）·······················································144 第七单元 多利亚、弗利几亚小调式（一个升号的调与六个降号的调）···················151 第三章 一个降号为主的调 （三连音与含十六分音符节奏型的组合，连续切分等节奏； 拍） **单元 自然大调式····························································154 第二单元 自然、和声、旋律小调式················································166 第三单元 同宫系统各调式························································176 第四单元 F调综合练习··························································182 第五单元 变化音（辅助、经过式）·················································187 第六单元 转调（近关系调）·······················································191 第七单元 利底亚、混合利底亚大调式（一个降号的调与六个升号的调）·················199 附录 指挥图式·······································································201 部分常用音乐术语·······························································202 （下） 第四章 两个升号为主的调 （总时值为半拍的附点节奏型，连续切分等节奏； 拍） **单元 自然大调式·····························································1 第二单元 自然、和声、旋律小调式·················································9 第三单元 同宫系统各调式························································16 第四单元 D调综合练习··························································22 第五单元 变化音（经过、换音、倚音式）···········································29 第六单元 转调（近关系调 D同主音大、小调）······································33 第七单元 和声、旋律大调式（两个升号的调与五个降号的调）··························40 第五章 两个降号为主的调 （总时值为半拍的三连音节奏型，带延音线的切分、连续切分等节奏； 拍） **单元 自然大调式·····························································42 第二单元 自然、和声、旋律小调式·················································50 第三单元 同宫系统各调式·························································59 第四单元 bB调综合练习··························································66 第五单元 变化音（经过、换音、倚音式）············································73 第六单元 转调（近关系调 G同主音大、小调）······································78 第七单元 和声、旋律大调式（两个降号的调与五个升号的调）··························87 第六章 三个升号为主的调 （总时值为两拍的三连音节奏型，较复杂的切分等节奏； 拍） **单元 自然大调式····························································90 第二单元 自然、和声、旋律小调式················································97 第三单元 同宫系统各调式·······················································104 第四单元 A调综合练习·························································111 第五单元 变化音（换音、倚音、变和弦式）········································118 第六单元 转调（近关系调 A同主音大、小调）····································123 第七单元 雅乐调式 湖南特殊调式（三个升号的调与四个降号的调）···················132 第七章 三个降号为主的调 （含三十二分音符的节奏型，三连音节奏的变形，二、四、五、六、七连音节奏型，较复杂的切分等节奏； 拍） **单元 自然大调式···························································135 第二单元 自然、和声、旋律小调式················································144 第三单元 同宫系统各调式························································152 第四单元 bE调综合练习·························································158 第五单元 变化音（换音、倚音、变和弦式）·········································164 第六单元 转调（近关系调 C同主音大、小调）·····································170 第七单元 燕乐调式（三个降号的调与四个升号的调）·································178 附录 指挥图式·······································································180 部分常用音乐术语·······························································181 主要参考书目···································································183信息
展开全部
单声部视唱教程-(全2册) 作者简介
黎冰冰，女，副教授，从教三十年。担任星海音乐学院作曲系视唱练耳专业教师；音乐基础部视唱练耳、乐理、高级视唱练耳（选修）、音乐作品听觉训练（选修）教师。
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