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单声部视唱教程-(全2册) 版权信息
- ISBN:9787536076631
- 条形码:9787536076631 ; 978-7-5360-7663-1
- 装帧:80g胶版纸
- 册数:暂无
- 重量:暂无
- 所属分类:>
单声部视唱教程-(全2册) 本书特色
《单声部视唱教程》,分上、下两册。适合用于各类音乐与艺术院校的视唱练耳基础教学,也可作为投考各类音乐与艺术院校的考试学习用书。本书按照固定唱名法的要求编排,但加入了首调视唱的读谱练习,其有别于同类书的编排特点是:“变化音、转调”不再是独立章节,而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。
单声部视唱教程-(全2册) 内容简介
视唱的读谱练习。适合用于各类音乐与艺术院校的视唱练耳基础教学,也可以作为投考各类音乐与艺术院校的考试学习用书。 本教程有别于同类教材的编排特点是,“变化音、转调”不再是独立章节,而是将其分解并按照难度由浅入深、逐步地加入到以调号递增为主线的各章节之中。使每章的调性在这种调式音与调式变音的对比、主调与副调的对比中更加巩固。另外,少量不常用的较复杂节拍与节奏的曲例亦如此编排。即:有关视唱各方面的内容不再各自独立,而是采用独特的并排渐进的编排方式。从本教程的目录便可看到,这“并排”是有所选的、“渐进”是有所控的,整个编排既突出了建立、巩固调性的中心,又不乏“变化音、转调”等内容,便于教学。
单声部视唱教程-(全2册) 目录
第二部分 视 唱
**章 无升降号为主的调
(常用节拍 基本节奏型)
**单元 自然调式 同宫系统各调式
一、 拍( )
自然大调式(一)···························································19(上) **部分 节奏 常用节奏型及其“读名”··························································1 基本节奏型的变形·······························································2 **单元 八分、十六分音符的节奏组合············································3 第二单元 附点节奏·····························································4 第三单元 切分节奏·····························································6 第四单元 八三拍 八六拍 三连音节奏···········································8 第五单元 综合练习·····························································11 第六单元 复附点等节奏························································13 第七单元 较复杂的切分节奏····················································15 第八单元 部分节奏、节拍的对比················································18
第二部分 视 唱 **章 无升降号为主的调 (常用节拍 基本节奏型) **单元 自然调式 同宫系统各调式 一、 拍( ) 自然大调式(一)···························································19 自然大调式(二)···························································27 自然小调式 ·······························································40 二、 拍( 弱起)····························43 三、 拍() 宫调式·····································································57 羽调式·····································································60 徵调式·····································································62 商调式·····································································63 角调式·····································································65 四、 拍() ·······························`·····································67 五、 拍( )·························································71 第二单元 和声、旋律小调式·······················································73 第三单元 C调综合练习···························································83 第四单元 变化音(辅助、经过式)··················································98 第五单元 转调(调式转换)························································105 第二章 一个升号为主的调 (三连音与含八分音符节奏型的组合, 等节奏; 拍) **单元 自然大调式···························································110 第二单元 自然、和声、旋律小调式················································121 第三单元 同宫系统各调式························································131 第四单元 G调综合练习··························································137 第五单元 变化音(辅助、经过式)·················································141 第六单元 转调(近关系调)·······················································144 第七单元 多利亚、弗利几亚小调式(一个升号的调与六个降号的调)···················151 第三章 一个降号为主的调 (三连音与含十六分音符节奏型的组合,连续切分等节奏; 拍) **单元 自然大调式····························································154 第二单元 自然、和声、旋律小调式················································166 第三单元 同宫系统各调式························································176 第四单元 F调综合练习··························································182 第五单元 变化音(辅助、经过式)·················································187 第六单元 转调(近关系调)·······················································191 第七单元 利底亚、混合利底亚大调式(一个降号的调与六个升号的调)·················199 附录 指挥图式·······································································201 部分常用音乐术语·······························································202 (下) 第四章 两个升号为主的调 (总时值为半拍的附点节奏型,连续切分等节奏; 拍) **单元 自然大调式·····························································1 第二单元 自然、和声、旋律小调式·················································9 第三单元 同宫系统各调式························································16 第四单元 D调综合练习··························································22 第五单元 变化音(经过、换音、倚音式)···········································29 第六单元 转调(近关系调 D同主音大、小调)······································33 第七单元 和声、旋律大调式(两个升号的调与五个降号的调)··························40 第五章 两个降号为主的调 (总时值为半拍的三连音节奏型,带延音线的切分、连续切分等节奏; 拍) **单元 自然大调式·····························································42 第二单元 自然、和声、旋律小调式·················································50 第三单元 同宫系统各调式·························································59 第四单元 bB调综合练习··························································66 第五单元 变化音(经过、换音、倚音式)············································73 第六单元 转调(近关系调 G同主音大、小调)······································78 第七单元 和声、旋律大调式(两个降号的调与五个升号的调)··························87 第六章 三个升号为主的调 (总时值为两拍的三连音节奏型,较复杂的切分等节奏; 拍) **单元 自然大调式····························································90 第二单元 自然、和声、旋律小调式················································97 第三单元 同宫系统各调式·······················································104 第四单元 A调综合练习·························································111 第五单元 变化音(换音、倚音、变和弦式)········································118 第六单元 转调(近关系调 A同主音大、小调)····································123 第七单元 雅乐调式 湖南特殊调式(三个升号的调与四个降号的调)···················132 第七章 三个降号为主的调 (含三十二分音符的节奏型,三连音节奏的变形,二、四、五、六、七连音节奏型,较复杂的切分等节奏; 拍) **单元 自然大调式···························································135 第二单元 自然、和声、旋律小调式················································144 第三单元 同宫系统各调式························································152 第四单元 bE调综合练习·························································158 第五单元 变化音(换音、倚音、变和弦式)·········································164 第六单元 转调(近关系调 C同主音大、小调)·····································170 第七单元 燕乐调式(三个降号的调与四个升号的调)·································178 附录 指挥图式·······································································180 部分常用音乐术语·······························································181 主要参考书目···································································183信息
单声部视唱教程-(全2册) 作者简介
黎冰冰,女,副教授,从教三十年。担任星海音乐学院作曲系视唱练耳专业教师;音乐基础部视唱练耳、乐理、高级视唱练耳(选修)、音乐作品听觉训练(选修)教师。
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