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Chapter ¢ñ: Sino-Western Sculpture and CultureSino-Foreign Cultures: Stability and Progress"Modeling of Clay" and "Carving of Stone"Civilizations of the Yellow River Valley and the MediterraneanChapter ¢ò Sino-Western Monuments: Grand Empire and the WorldTerra-Cotta Warriors and AugustanThe Dead and the LivingHero and SteedChapter ¢ó: Sino-Western Religious Sculpture" The Splendid Buddha World and the Stone BibleSino-Western Religious Attitudes and Sculptural ConceptsChina, India and EuropeAesthetic Interests of Sino-Westem Religious SculptureNatural Concepts of Sino-Westem Religious SculptureChapter ¢ô:Functions of Sino-Western Sculptures Grave Art and City ArtChinese Tomb Culture and SculptureClosed Environment and Public EnvironmentChapter ¢õ: Conditions of Chinese and West- ern Sculptors: Slave Artisans and ArtistsSocial Position of Western SculptorsSocial Position of Chinese SculptorsMaking Statues on Imperial Order and theDesire for FreedomFate of Chinese Sculptors and Great ArtisansHistorical Conditions for Sino-Western SculpturesChapter ¢ö The Forms of Sino,Western Sculptures: the Art of "Carving of Appearance and Painting of Nature" and the Art of Dimen-sionVolume and Plane RelationsLinear Rhythm and Surface StructureThe Arts of Color and PhysiqueChapter ¢÷ Aesthetic Value of Sino-Western Sculptures:Intuitional Naturalism and Ratio-nal Realism"Lifelike Sculpture" and "Solemn Greatness""Meteorological Ambiguity" and "Noble Simplicity""Plain Sculpture" and "Material Melting into Form"